Licht in der Nacht

Schoenberg, Arnold;
Debussy, Claude;
Zemlinsky, Alexander von;
Ravel, Maurice;
Boulanger, Lili;
Mahler, Alma;
Boulanger, Nadia;
Berg, Alban

Dutilleul, Coline;
Lahiry, Kunal

FUG 810

"What could be more fascinating than the play of light and shadow?

To descend into sensual melancholy, to dare to be fragile and to reveal oneself in its depths and inner nuances.

I find that one way of illustrating this complexity of the senses is to compare two musical and pictorial schools: French Impressionism and German Expressionism.

The colours and timbres employed by these two schools have long fascinated me just as much as the extreme refinement and detail of the paintings and compositions themselves. Each painter and composer explored the depths of the human soul in his or her own manner.

This programme of works composed between 1899-1914 that laid the foundations for modern music is intended as a bridge between Expressionism and Impressionism. This parallel does not claim to illustrate their differences but rather to highlight their common points, to reveal the voluptuous and almost decadent sensuality of these two currents as well as their geographical and stylistic contrasts."

- Coline Dutilleul

Works:

•Berg: Vier Lieder, Op. 2
•Boulanger, L: D'un vieux jardin
•Boulanger, L: Reflets
•Boulanger, N: Un grand sommeil noir
•Debussy: Trois chansons de Bilitis
•Ravel: Deux épigrammes de Clément Marot
•Schoenberg: 4 Lieder Op. 2
•Zemlinsky: Fantasien über Gedichte von Richard Dehmel, Op. 9: No. 1, Stimme des Abends

CD

Muzyka klasyczna

Fuga Libera

02-11-2022

5400439008106